MICHAEL ACHILE UMAMEH



Michael Achile Umameh

UNMOVED MOVER - Michael Achile Umameh

He thirsts for my prayer
not for my blood
He is appeased by my love
not by my death
for deep wounds, a deeper love
His answer, finds my prayer.

The wine of his power
pour in full strength
into the cup of his Word;
Prophetic spirit in Aggadah
Priestly voice in Halakhah
Kingly fire in Rhema
Spoke forth existence 

Trees behind trees
hedge here, Oaks there
seas before sands
Sun here, stars there
Beasts after the least
Let us appreciate the firefly
for cold light, on old night

Ancestors of nature; mountains
eldest daughter of spring; fountain
Sing, sing, one of Eden’s songs
the sea of doubt fled,
as the forest of fantasies heard
anthem’s fiery vision of
The foster children of Valhalla

Laud the forge,
The redeemer of man,
I am the crown of beauty
and what delight nature must feel
I am here, you are there
Indestructible ground of all that is.
My maker, my unmoved mover.

Michael Achile Umameh

A SIGH AND HALF
expelled offspring of unspent dream
we are the voices of wandering winds
heaves of pressurised silenced scream
cocktail of a moan, a sob, a tamed cry

Night after night the wind go sighing
weaving the unfinished day into unrest
in the depth of dark, a voice is calling
a sigh and half to gather into a breast

for the sighs too deep for air is burping
a muffled restlessness of a jilted lover
cursing, and staining the hour with sighing
and wounds unrequited love with its thunders

a sigh and half is all in the offering
pre-packaged like a canned music
communal anthem of hope, expecting
sighs of relief and sigh of beliefs, tic

and when I run out of tears for weeping
a sigh and half will do,
and when the events are too much for wailing
a sigh and half will do,

tonight, I go again sighing with the wind
as muted anger aligns with the stars of hope
in the cloud of unknowing, may I find
the itchy throat of silence in uproar

on a chord in every heart that sings
with a sigh and half of its stings


-Michael Achile Umameh

(for Akeem Adetayo Oyalowo)

Dammy Krane
A mute bird in the cage
With a saccharine-d tambourine
Hippy, lippy and nippy
What message art thou sending?

Dammy Krane
Stewing in a skewed mane
with a borrowed robe
of fools, frauds and firebrands
to whom is your inner life pretending?

Dammy Krane
Tell the Ostrich from the crane
Concert fired fury
Dies the death of dye
Fanned fame- fading.

Hear and heed the rhythm
of wisdom’s theme
living a life your pockets cannot afford
is a misleading life of limelight.
Stop trending! Stop sending!
Loud emptiness.

Michael Achile Umameh

THEN, CAME JOHNSON - - Michael Umameh

Then
Came Johnson the left-handed
He was a happy-clappy, chatty chap
Muse of poets and for songwriters oddities
Born in a climate of clumsy possibilities
Reared in the waters of culture vulture trap
He had his rope of hope
But at the end of his rope
He needed a hand but there was none

And then
That night his mother died, he didn’t cry
For his little mouthful tears will be a dishonour
To a mother who was nurture and succour
No more heart to hear is fear and pry
He had his lamp of faith   
But that limp mirage was fate
He needed a light but there was none

So then
With unanchored hope he ordered his spirit’s grief
Through the darkest alleys and the highways of the castaways, he gropes
With wilderness for his pillow, loneliness for a companion, he probes
He knew his grief won’t be brief
Now emperor of uninhabited places
Of his father, there were no traces
He called a star to be his brother and the moon a sister
And the cloud slammed the door on his tender voice


From then
The moon died in his sky
That night took his rope
That night stole his hope
That night was his one last try
And that night he sold his soul
And there and then the birth of an enfant terrible, a troll
He was now broke and broken, a blade of darkness

What then? What pelts of peppered provocations?
When heaven tries the patience of a saint
Johnson bade a final good-bye to good old night
With discordant choir of unnamed ghosts they sang a requiem to light
From the epicentre of savage depths, a lethal angel sent
With the forgotten old gods and surrogate deities
They forged a ferocious cathedral of atrocities
Dark, dreary and eerie “This is home”, Johnson said
And here darkness is message, massage and passage
Where tragedy ripens


Now then,
Where are the guilty bystanders?
Johnson once a sweet morning lark now cunning night owl
Harvest of earth’s darkest hour, there they prowl
In this sacred rite of disorientation, blame not the bartenders
Oaths of vengeance were made: blood and deed
With a bleeding reed screed in the creed
Inked, ringed, dreadlocks and tortuously tattooed
With Johnson’s terror, Hitler’s just a footnote

Even so
On this tortured lines
God did not border to write straight anymore
Johnson a pain in the molar, not a minor tremor
This is not a survivor’s script. A witness whines
Of a reserved plot of weeds in our tidy garden
Like an angry librarian am mortally saddened 
To tell this tall tale stewed in humour: how mad can a mango make a man go?
That far Johnson went, I won’t dye the truth 
Overpriced! Like a tomato freshly plucked from Buhari’s Nigeria

One last night
His presence made the living envied the dead
Upon a deal with a resident malevolence the sea sees.
Washed his face and wrote his sins
He looked up, smiled and said: the tide will come, and shred
This withered writ.
For no tome of alien gospels can make him contrite
He needed table talks on life’s menu and there was none
With the weight of the world’s anger upon his grave’s lid
Here lies he. In this dark vault, dead and buried: Johnson the left-handed.

Every now and then
I pray for him before a wooden saint
Who neither blink an answer nor fling a frown
Then and now.

Michael Umameh


A VOICE COMMANDS ME: ‘CRY!’ - - Michael Achile Umameh


A voice commands me: ‘Cry!’
And I answered, ‘What shall I cry?’
Of the hidden extras:
The withered grey hairs of wild flowers
And the poisoned honey of their breaths
And the world’s leadership totters, tethered in tatters
Dressed in tamed omnipotence
Standing solid on the grounds of false floors.
Don’t you see, vultures on the bodies of slain children?

A voice commands me: ‘Cry!’
And I answered, ‘What shall I cry?’
Of the forbidden extra-regular:
The fate of our blue planet in cauldron
And the nested belching queues of filths
And the haemorrhaging feet of mass anxieties
Seething in myths of supremacy
Gulping a vast cocktail of bruit as fruits
Don’t you see, squadron of iron eagles, inaugurating sky burials.

A voice commands me: ‘Cry!’
And I answered, ‘What shall I cry?’
Of the maddening extraction
The irredeemable skilled hunter of the online
And the awful ease of seduction and obsession
And drowning in the ocean of prints, inks and links
Laced with frenzies and pretences
Well adjusted to hell and the whirlpools of tired habits
Don’t you see? I can’t find a room for myself in myself.

A voice commands me: ‘Cry!’
And I answered, ‘What shall I cry?’
Of the frightening extraterritorial.
Africa is where my heart lies
And there, I know which scream is mine
And there, green grass withers, fresh flowers fades.
The drawbridge is a pretending wall
Yet the thorn is a thing of beauty, if it wears the rose.
Don’t you see, rumbling stars in the African sky?

Africa’s awakening! And I am running with the stars tonight!
Michael Achile Umameh




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